Thomas Allis

Sound Designer | Sound Editor | Re-recording Mixer

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Selected Industry Experience

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Projects

The Game - Feature Film (2026)
Sound Designer and Re-Recording Mixer
Lead all aspects of post-production sound, from dialogue editing and restoration through to sound design, Foley recording and the final stereo mix, creating a cohesive soundtrack to support the film's psychological tension.

Restless Mind (2026)
Sound Editor and Re-Recording Mixer
Oversaw full post-production sound workflow from dialogue edit, sound effects edit and final mix, focusing on naturalistic sound design with a few expressive elements to help communicate the psychological times of the film.

Dredd (2024)
Sound Design, Location Sound, Composer
Recorded location sound (boom operation and mixing) on set, designed and layered atmospheric sound elements in post, and composed original music to reinforce narrative tension and emotional shifts.

Timeless (2025)
Sound Designer
Collaborated cross-continent with the editor and composer in the USA, remedied poorly captured dialogue, and crafted layered sound design to enhance narrative clarity and atmosphere.

Forgive Me For How This Ends (2024)
Sound Designer, Composer, Grip
Created cohesive sound design and original music, supporting emotional beats and pacing. I also worked as grip with a focus on lighting setup.

Industry Experience, Skills and Training

344 Audio Internship
Contribute to professional post-production workflows across narrative and broadcast projects. Assist with sound editing, dialogue cleanup, session preparation, and collaborative problem-solving in a studio environment, gaining experience aligned with industry standards.
Bolton Film Festival
Pre-Programmer - Assisted in film selection, evaluated short films and providing detailed notes on its quality and my thoughts.
Volunteer - Supported festival operations and screenings.
Picture Shop - BBC Sport
Observed professional post-production workflows in a broadcast environment, gaining insight of delivery standards, colour pipelines and broadcast post processes.
Shadowed the SportsWire Ingest, PCA and FTA teams, building my understanding of the whole workflow.
Into Film - Youth Advisory Council Member
Selected as a member of Into Film’s Youth Advisory Council, contributing insight and feedback on youth engagement, film education initiatives, and creative programme development alongside industry professionals.
BFI New Director's Series
Attended a series of sessions with director Cassia Joski-Jethi, detailing the full process of directing a short film from funding to pre-production, production, post-production and distribution.
DaVinci Resolve Training
Fairlight Certification
Colour Grading in DaVinci Resolve Certification

Testimonials

Working with Thomas on The Game was an incredible experience. The film presented a huge number of challenges from a sound perspective, particularly dialogue recorded in extremely noisy exterior locations, and he did an outstanding job cleaning and restoring it to a level I genuinely didn’t think was possible.
Beyond the technical work, Tom completely transformed the film creatively. He built a detailed world of sound for every location, bringing the environments to life while always making sure the sound design served the tone and story. His creative use of risers, booms and subtle sound design throughout added an entirely new layer to the film and elevated key moments far beyond what was originally on the page.
He took a film with a significant number of sound problems and turned it into an incredibly polished and technically proficient final product. I couldn’t be happier with the work he did and would recommend him without hesitation.
Blaize Mott - Director of The GameWorking with Thomas on Restless Mind was a crucial part of bringing the film’s emotion to life. His expertise and his collaborative nature helped elevate the final sound design and overall impact of the story.
Callum Smith - Director of Restless MindsThomas was diligent, collaborative and worked well in understanding the vision of subjective sound in the film. He would go above and beyond in bringing ideas to the table to heighten the tone of the piece.
Marcus Thomas - Lead Tutor (NFTS Film Academy)Tom led the team in the craft well and conducted himself at all times in an extremely professional way. He has genuine talent, is intelligent, committed and clearly passionate about filmmaking and I have no hesitation in recommending him most highly.
Dr Jon Wardle - Director of the National Film & Television School